Any serious artist should have a CV to showcase their work; Marcula Stauffer explains the how and why.
A career as an artist is much like having a career in other professions. As you advance over time, you will begin to accumulate a list of accomplishments and skills. Instead of drafting up a traditional resume, an artist should focus on creating a CV, which stands for Curriculum Vitae. A CV is a more detailed list of everything you’ve done, compared to just the highlights found on a resume. An experienced artist, Marcula Stauffer, explains everything you need to know about creating a CV.
Any serious artist should keep their CV up to date and have it easily accessible on their website. While social media is an excellent tool for interacting with followers, buyers, and fans, it’s not intended for posting artist’s resumes. Anyone who is showing interest in your work will most likely look to your website first, which should be professional and easy to navigate. For those not skilled in building websites, Marcula Stauffer recommends using a web hosting service like WordPress.
An artist CV is typically broken down into specific categories and organized chronologically by year. Marcula Stauffer notes that the most current projects should be first, with older projects following. Readers are always looking to see the most current and relevant information. Below you can find some examples of categories and the order in which they should be placed on a CV.
This category comes first on a CV because it is one of the most critical aspects of an artist’s career. A solo show is a great accomplishment and proves that your work can be the center of attention. For each entry, Marcula Stauffer recommends adding the venue or gallery name in addition to the location and title of the show. Online shows should also be listed.
New artists will find themselves in more group shows than anything else as they establish their careers. Marcula Stauffer suggests listing them all, no matter how minor, to show your dedication and commitment. As time goes on, this category can be changed to “Select Group Shows,” with only the most significant listed. Entries should be listed the same as solo shows.
This category separates artists from other professional careers. It may seem odd to include critical reviews. However, this can be a significant boost to your CV. Marcula Stauffer recommends adding your select reviews, interviews, features, or articles you may be mentioned in. Include the publication or website, the title, author, and date published for authenticity.
For recent grads who have a small portfolio, consider moving education to the top. Marcula Stauffer notes that as an artist’s career develops, education will become less significant with more focus on the actual artwork itself.
Additional categories include professional experiences, collections, publications, and awards. Always be upfront and go into specific detail when adding elements on a CV. Marcula Stauffer notes that many people choose to hire a professional to assist with writing a proper CV.
Marcula Stauffer shares premier art destinations to visit based on collections and overall experience.
Whether you are looking to relax or peer into the perspective of famous, creative minds, art museums can provide guests with a remarkable experience. It’s something everyone can appreciate, and it brings people together from all walks of life.
An experienced artist, Marcula Stauffer, shares 4 must-see art museums in the US.
The Dalί Museum – St. Petersburg, Florida
Home to the largest collection of Salvador Dalί, this modern museum holds 96 paintings and 100 watercolor canvases in addition to photographs and miscellaneous pieces.
The two-story building is located on the waterfront in St. Petersburg’s beautiful downtown district. Marcula Stauffer enjoys his shocking, yet unique works of art, which are recognizable around the world.
National WWII Museum – New Orleans, Louisiana
Located near the culturally rich French Quarter, the National WWI Museum, which opened in 2000, is the real deal when it comes to history.
The building itself is a renovated factory that was used to build the boats for the D-Day invasion. Marcula Stauffer notes that guests can expect an immersive experience, which starts by boarding a train car to see vintage planes, vehicles, and authentic gear.
While you’re in the city, stop by a Jazz club or eat beignets at Café Du Monde.
Chihuly Garden and Glass – Seattle, Washington
Add a splash of color to your Seattle visit by going to the Chihuly Garden and Glass Museum. Guests of all ages are impressed by the main attraction, a large-scale glass sculpture located inside an epic building called the Glasshouse.
Visitors can also step outside into a beautiful garden, which intertwines itself with delicate glass for an unforgettable landscape.
Marcula Stauffer also recommends visiting the Space Needle, located nearby.
The Art Institute of Chicago- Chicago, Illinois
This museum is home to approximately 300,000 pieces of art that range from ancient to modern.
It is comprised of eight buildings which total nearly 1 million square feet of gallery space, home to one of the country’s most diverse collections.
Marcula Stauffer also suggests stopping by Cloud Gate, a beautiful mirror sculpture known for its reflecting view of the city skyline.
Marcula Stauffer helps new artists find inspiration and develop their own approach.
There are plenty of art classes that teach technique for drawing or painting, yet slim to none that teach new artists how to find their own unique art style. Creators often wonder how they can stand out and create something that shows expression at the same. An experienced artist, Marcula Stauffer, shares 4 tips to help you search for your own art style.
Pick a Genre
In the modern age, there are so many genres of art to pull inspiration from. Start taking note of what styles you enjoy and begin to learn from them. In this process, Marcula Stauffer notes the importance of realizing that many techniques can be used across many genres, so it is not a waste of time to study something you may not pursue. New artists can find inspiration from anywhere and anything, but narrowing in on one specific style will help you focus your efforts and become a master in your craft.
To develop an artist’s eye, take notice when something doesn’t feel quite right. Marcula Stauffer suggests dissecting the issue to understand the root cause of what’s bothering you. Maybe the colors don’t match what you’re trying to say, or perhaps the scene didn’t unfold as you envisioned. Marcula Stauffer encourages new artists to start over, try a different approach, and do what feels right. The more you practice, the easier it is to learn your own style.
Perfectionists really struggle with this concept, but sometimes a mistake isn’t really a mistake. Marcula Stauffer explains that over time, these little hiccups can start to grow on you and become an integral part of the piece. These little marks are unique to you and add your personal touch. Plus, art can become very time consuming and frustrating when worrying about every little thing, which is not at all how expressing yourself should feel.
No matter how famous an artist, there will always be someone who won’t like their work. However, receiving criticism can help you improve over time. Of course, not all feedback should be taken seriously, but as an artist becomes more established, they will realize which comments are valid and which should be ignored.
Marcula Stauffer feels like his most important piece of advice is to remember that your art style will constantly change and evolve, just as you change and evolve along life’s journey. Many artists keep a journal to organize thoughts, ideas, and progression. Looking back at these notes can help you realize just how far you’ve come!
Marcula Stauffer breaks down the fundamentals of the color wheel for new artists.
The first color pigments were invented as early as 40,000 years ago and consisted of five simple colors: black, white, brown, yellow and red. Through ongoing experimentation during great art movements in human history, more colors were formed, some never even seen before. To help artists understand and make use of all these colors, Sir Isaac Newton, a famous mathematician, invented the first color wheel.
To this day, artists still rely on the color wheel to not only mix and make new colors, but also to understand the relationship between colors. An experienced artist, Marcula Stauffer, explains that the color wheel reveals complementary colors, which when put together, look pleasing and form the strongest contrast. It also shows opposite colors, which when mixed together, always form a brown or grey color.
When looking at the circle of the color wheel, Marcula Stauffer finds complementary color combinations using two colors that are opposite each other. Harmonious combinations can also be formed by using any three colors spaced equally around the wheel forming a triangle, or any four colors which form a rectangle. Complementary combinations are called color schemes and remain consistent no matter the rotation angle.
Primary colors consist of blue, red and yellow. They cannot be created by mixing any other colors together, and are a necessity when purchasing paint. Marcula Stauffer lists primary color combinations below, which equal what are called secondary colors.
- Red + Yellow = Orange
- Blue + Yellow = Green
- Red + Blue = Violet
Tertiary colors are made by mixing secondary colors together. These combinations result in yellow-orange, red-orange, yellow-green (lime), blue-green (teal), blue-violet (dark purple), and red-violet (fuchsia).
Another key component to understanding the color wheel is understanding warm and cool colors. Marcula Stauffer notes that warm colors typically convey energy and joy because they remind humans of things like the sun and fire. They typically appear closer on the canvas. Cool colors are better suited for exhibiting calmness because they remind us of trees and water. They typically appear further away on a canvas.
Below, Marcula Stauffer lists warm and cool colors.
The best way to fully understand the art of mixing paint is to practice. Marcula Stauffer advises new artists to spend time studying the color wheel and trying various combinations to see the outcome. Don’t be afraid to experiment, and remember that all great technique comes with time.
It’s difficult to hear how others perceive your work, but Marcula Stauffer explains how to use criticism to your advantage.
They constantly put heartfelt pieces of work on display for others to look at, judge, and critique.
As an artist’s career grows, that face to face criticism can turn into feedback from blogs, videos, social media posts, or gossip, and people don’t always have nice things to say.
After years of experience as an artist, Marcula Stauffer shares some insight into handling the thoughts and opinions of others without taking things too personally.
Don’t Force It
First and foremost, as an artist, the most important thing to ask yourself is – how do you feel about your artwork? If you believe the piece embodies your vision perfectly and expresses exactly what you wanted to express, then you are on the right path.
Marcula Stauffer suggests artists not ask strangers for their opinions (although opinions will still come) because it puts others in an awkward position and they’ll most likely tell you what you want to hear. When people want to freely comment, it can be a better opportunity to hear their true feelings and opinions.
Marcula Stauffer reminds artists to not get defensive or upset when faced with criticism because the reaction is usually unwarranted. As an artist, one should constantly be looking to expand their audience and show their work to as many people as possible. Gathering input over time from a wide audience can help you understand the significance and impact your art has on others overall.
Are these people sharing their personal tastes, or do they know about the art community and understand your genre? Hearing that people simply like or dislike can be discouraging. Marcula Stauffer recommends taking the more informed, objective comments to heart. Those who may not like a particular style can still recognize quality and craftsmanship.
Look at the Big Picture
Catalog the feedback collected over time instead of constantly reacting harshly to others, which can be emotionally draining and unproductive. Marcula Stauffer explains that when you compile data, patterns will emerge to clearly see how people react to certain things. It will help you as an artist make better decisions about how to present your artwork, yourself, and your passions for a successful career.
While using feedback to improve is a great strategy, Marcula Stauffer suggests staying true to yourself. The internet has connected so many people both near and far, allowing artists to find an audience that appreciates and understands their style.
Marcula Stauffer shares key points of various movements and the artists that contributed to change.
The turn of the 20th century was a time of change that was comprised of artistic movements that altered the world’s definition of what art should be and do for a culture. This time of artistic movement would be labeled as the Modernist Era. World War I and the devastation that ensued challenged cultural belief systems that were previously in place. There was a surge of experimentation and exploration by artists influenced by hardships from World War I. Marcula Stauffer lists some of the most important modernist art movements during this period.
Constructivism is the combination of Cubism and Futurism art movements. Constructivism is the idea that art should be constructed from the modern industrial materials such as plastic, steel, and glass. Marcula Stauffer emphasizes that Constructivists made art to serve a societal purpose instead of solely making a statement. Tatlin’s Monument to the third International is one of the most iconic artworks of the Constructivism movement. It is a spiral-shaped structure that was intended to serve as a government building.
Suprematism began around the same time as constructivism but differed by a stronger emphasis and embracement of the abstraction capable by painting on a canvas. Marcula Stauffer appreciates this movement because it was the first to utilize pure geometrical abstraction in painting. Kazimir Melevich, the founder of Suprematism, aimed to break art down to its bare bones and used basic shapes, such as squares, triangles, and circles with primary and neutral colors. This movement came to an end as Soviet oppression increased.
Surrealism is one of the most famous art movements of the Modernist era. Salvador Dali’s work brought surrealism to the forefront and was largely the reason Surrealism became popular. Marcula Stauffer notes that surrealism sought to release the creative potential of the unconscious mind. Surrealists typically worked with multiple mediums such as sculpture, painting, literature, poetry, and film. Many of the prominent Surrealism artists broke off to other new art forms. However, they still incorporated techniques of surrealism into their new work.
One of the most well-known art movements during the Modernist Era was Cubism. The artform has become synonymous with one person, Pablo Picaso. The movement did not receive its name until 1908, when an art critic depicted Braque’s House at L’Estaque as being formed with cubes. Cubism focused primarily on discarding the conventions of the past to highlight the flat dimensionality of the canvas. Marcula Stauffer notes that the use of conflicting vantage points is how Cubism’s effects were achieved.
Learn blending basics from Marcula Stauffer and take your art skills to the next level.
With a limitless sea of textured objects to choose from, where do you start? Every medium is different, which means blending tools work differently depending on the materials being used.
Marcula Stauffer has spent years in the art studio mastering his techniques, and he’s ready to help you choose the right blending tool for your next project.
1.) Blending Stump
This tool is made of soft, tightly rolled felt the paper, and has two pointy ends. Blending stumps are most commonly used to blend and smudge graphite and charcoal, mediums often used for drawing. Marcula Stauffer recommends using this tool for projects that require large areas of blending. It is also ideal for shading and can be of great use when making light and dark values.
Commonly confused with a blending stump, a tortillon is a short stack of tightly rolled paper that is much firmer. This tool is best used for fine details, as it is small and easy to control. Marcula Stuffer suggests holding the tortillon at an angle to avoid pushing the tip back into the paper roll, however, this issue can still be fixed by pushing a straightened paperclip into the bottom. They are available in a variety of sizes to accommodate both small and large projects. Always shade light areas with a clean tortillon, saving the regularly used “dirty” paper sticks for dark areas.
This blending tool is commonly used by artists working with charcoal, pastels, and pencils. It is also an outstanding choice when working on black and white drawings. To use, gently wipe across areas to soften or lighten dark marks. A genuine chamois cloth is made of real leather and is very soft and absorbent. Marcula Stauffer appreciates its long life, as a dirty chamois cloth can be washed with warm soapy water to be used again and again. To make the cloth softer, simply rub against the edge of a table, or rub two pieces together.
Artists usually use their fingers as the last resort when other tools are not available. This practice can be seen with pastels, paint, and drawing, but can leave fingerprints or make colors bleed. Marcula Stauffer does not recommend using this method with charcoal and suggests practicing before using your fingers on a serious work of art.
Creating an online portfolio has more to it than you might think, but Marcula Stauffer shares three simple tips to help you get started.
Think of an art portfolio as a business resume. It gives artists the opportunity to showcase their work all in one place. This is especially useful when being commissioned for a custom piece of artwork, or even for applying to schools or jobs. Plus, it’s always nice to be able to reflect on past projects that have been sold or are no longer in your possession.
While some applications require specific guidelines for portfolios, Marcula Stauffer believes a creative version that reflects your personality and individual style is essential. So where do you start? After years of experience in the art studio, Marcula Stauffer explains how you can create a stellar digital art portfolio in simple, easy steps.
Sort Through Your Work
The first step is to decide what pieces of art you want to include in the portfolio. Is this a personal portfolio, where you can see everything you have ever done in one place? Or are you looking to showcase your very best pieces to attract new clients or land that art school acceptance letter? Marcula Stauffer explains that once you define the purpose, you can begin to collect and organize your artwork. Think about showcasing mostly the type of work you would like to make in the future, leaving out projects that you aren’t passionate about.
Now that you have found the purpose of your portfolio and chosen your artwork, take pictures of each piece in front of a neutral background with good lighting. Think about how the pieces can best be displayed on your website. Perhaps you’d like to show the stages of each project, from sketches of the initial concept to the final masterpiece. Maybe you would like to group projects together into a collection. Marcula Stauffer notes that the most important aspect of the display is to include a short description of the piece along with a gripping title. People feel more connected to art when they can understand it.
Add a Bio
While you want to make sure that your art is the focal point of the website, Marcula Stauffer suggests adding a bio. This will help you tell your personal story, share your unique perspective on life, and make you more approachable.
This should be a section that goes beyond your past jobs and accomplishments, even though those are great things to highlight. Marcula Stauffer recommends including some personal history and life experiences, in addition to fun facts like outside hobbies and interests that make you who you are.
With these simple guidelines by Marcula Stauffer, your art portfolio will surely stand out!
Experienced artist, Marcula Stauffer, will help you evoke emotion through your art with three simple steps.
Depth brings paintings and drawings to a new level. It allows an artist to convey the things they see in three dimensions onto a two-dimensional canvas or notebook. For realist or representational style paintings, adding the illusion of depth can help to create a surreal experience for the viewer. It can make the observer feel like they could just reach out and be right there in the landscape, as if it was right in front of them.
Creating a beautiful landscape with realistic features and depth can be achieved by understanding various techniques. Practice various techniques to find the method that best suits you and your style. Using his years of experience as an artist, Marcula Stauffer shares how you can add depth and dimension to your next painting.
This popular technique calls for layering, or overlapping objects in a composition. When you see an object partially hidden by another, you know that the object which is hidden is further away than the one which conceals it. Marcula Stauffer believes that layering objects is one of the best ways to create the illusion of depth in a painting. Using this method with effective color contrast can provide outstanding results.
When creating an outdoor landscape, artists often times end up with a very flat looking painting, especially when the subject is intended to be at a medium or far distance from the viewpoint. To fix this issue, Marcula Stauffer recommends using foreground space to enhance the sense of depth in the landscape. Items in the foreground should have more texture and attention to small detail compared to the background landscape, which is farther away.
An artist can make objects in a painting seem closer or farther away just by adjusting the size of the object. Things that are larger in a painting appear to be much closer than those that are smaller, which seem to be farther away. Marcula Stauffer notes that items should stay proportionate, whether large or small, especially if there are more than one in the painting, like trees in a forest, for example. This is called foreshortening, and includes all items that are along the line of sight.
Many experienced artists use multiple techniques on one painting to create the illusion of depth. As an artist progresses, they may consider incorporating more advanced techniques. Marcula Stauffer recommends practicing each technique separately with simple objects or drawings before incorporating multiple into your landscapes. Once mastered, the illusion of depth can take your art to the next level!
This simple, cost-effective technique explained by Marcula Stauffer can have you painting like a pro.
Artists take inspiration from all around them and use that inspiration to create outstanding works of art. Inspiration can be derived from anywhere, but photographs or drawings are very common sources to start with.
When an artist wants to take a small image and transfer it onto a larger canvas, the grid method comes into play.
This simple technique has been used by the greatest artists, and can be used by you too! Luckily, you don’t need to be skilled in drawing to master this easy technique.
After years of experience as an artist, Marcula Stauffer explains the grid enlarging method in only three quick steps.
Step 1: Aspect Ratios
The first step is to understand the aspect ratio, which is the proportional relationship between height and width. When enlarging an image, it’s essential to keep the aspect ratio in mind so that it is scaled up to look the same.
Marcula Staffer recommends selecting your image, making a copy of it, then drawing a grid onto the copy as to not ruin the original. The grid should be drawn lightly in pencil with the help of a ruler.
Make small marks at regular intervals (for example, 2cm) along with the image, equally spaced apart. Use the ruler to make straight lines horizontally and vertically, creating a grid.
Step 2: Enlarging the Grid
Next, you will take your canvas and begin to draw the grid again, except this time it should be twice as large as the grid on your photo.
This time when you make the marks, space them to be double the distance (for example, 4cm).
Again, Marcula Stauffer suggests using the ruler to make straight lines and connect the grid.
Step 3: Transfer
Now you can begin to transfer your image onto your new grid. Some artists number their boxes, however, that is not always necessary.
Simply compare just one square at a time and draw what is in the same box from your inspiration photo.
You can choose to make this as detailed as you would like, focusing on highlights, shadows, and line work.
Marcula Stauffer recommends starting at the top left square and working down row by row until the image is completely transferred. Lastly, erase the grid lines and use your drawing as a guide to complete your work of art in acrylic or oil paint.
Drawing lightly really is key using the grid method so that mistakes can be easily erased, and so that marks do not show through the paint.